Spanish Early Renaissance Painter, active 1428-1461  Related Paintings of DALMAU, Lluis :. | St Barbara | midnatt | Holy Family (san 05) | Apostles Peter and Paul | Landscape with Campsite |
Related Artists:
Alfred Dedreux
1810-1860,French painter and draughtsman. His father was the architect Pierre-Anne Dedreux (1788-1849); Alfred's sister, Louise-Marie Becq de Fouqui?res (1825-92), was also an artist. His uncle, Pierre-Joseph Dedreux-Dorcy (1789-1874), a painter and intimate friend of Gericault, took Dedreux frequently to the atelier of Gericault whose choice of subjects, especially horses, had a lasting influence on him. During the 1820s he studied with L?on Cogniet, although his early style was more influenced by the work of Stubbs, Morland, Constable and Landseer, exposure to which probably came through Gericault and the painter Eugene Lami who lived in London in the mid-1820s.
Adam Elsheimer
1578-1610 German Adam Elsheimer Locations German painter, printmaker and draughtsman, active in Italy. His small paintings on copper established him after his brief life as the most singular and influential German artist to follow Derer. Their grand conception in terms of monumental figures and poetic landscape and their meticulous, miniature-like execution were admired by Rubens and came to influence many 17th-century artists, including Rembrandt. Most were produced in Rome after 1600: the limits of this oeuvre and its chronology are extremely hard to establish.
Alessandro Turchi
(1578 - 22 January 1649) was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome. He also went by the name Alessandro Veronese or the nickname L'Obetto. Turchi initially trained with Felice Riccio (il Brusasorci) in Verona. By 1603, he is already working as independent painter, and in 1606-1609, Turchi paints the organ shutters for the Filarmonica Academy of Verona. When Brusasorci dies in 1605, Turchi and his fellow Paschal Ottino (or Pasquale) complete a series of their deceased master's canvases. In 1610, he completes an Assumption altarpiece for the church of San Luca of Verona In 1612, the Veronese Guild of the Goldsmiths commissions an altarpiece, today lost, of the Madonna and Saints. On leaving the school of Riccio, he went to Venice, where he worked for a time under Curio Cagliari.